The recorders usually play in unison (or together), and the violin usually responds or has a conversation with them. 1. If you already own a recording of the Brandenburgs, but are on the look-out for a different perspective, Christopher Hogwood’s 1984 recording still has much to offer. In 1721 Bach dedicated his score – in flowery French – to Christian Ludwig, Margrave of Brandenburg, not in fulfilment of a commission but more as a thinly disguised application for employment at the Margrave’s court. While they are ususally presented as a group, they actually each feature quite different solo instruments (harpsichord, flute, trumpets, etc. 1 in its three-movement ‘Sinfonia’ form, and No. In such familiar works even the smallest changes to melodic figuration, rhythm and articulation stand out, but best of all is the unbelievably jaunty countermelody which originally accompanied the horns in the second Trio of No. First an excerpt from Christoph Wolff‘s book Johann Sebastian Bach, The Learned Musician, then videos of the Freiburger Barockorchester performing all six concertos on period instruments, and Nikolaus Harnoncourt (6 … 4 in G major, BWV 1049 . Find low everyday prices and buy online for delivery or in-store pick-up. This lightness of touch doesn’t imply a lack of emotional weight: the poignant violin and oboe solos in the slow movement of No. Alessandrini never drives the music too hard, bending to the lilt of the dance and prizing supple elasticity and meaningful rhetorical gestures over mechanical rhythms and mindless speeding. 5 in D, BWV 1050 BACH Brandenburg Concerto No. Recorded gently over ten years, what this set offers above all is a level of chamber-like intimacy which eludes even Alessandrini and Pinnock. The sound quality on a Hybrid SACD recorded by BIS is unsurpassed. Bach: The Brandenburg Concertos. Johann Sebastian Bach met Christian Ludwig, Margrave of Brandenburg in 1719 during his tenure as music director at the court of Leopold of Anhalt-Cöthen, who was the young prince responsible for signing up some of the musicians who were previously employed by Frederick William I. Bach worked at Anhalt-Cöthen from 1717 to 1723, and he and Leopold developed an excellent working relationship there. Title on autograph score: Concerto 2doà 1 Tromba, 1 Flauto, 1 Hautbois, 1 Violino, concertati, è 2 Violini, 1 Viola è Violone in Ripieno col Violoncello è Basso per il Cembalo. All of the Brandenburg Concertos are in major (happy) keys. Concerto for Guitar and Strings No. Andante 3. Johann Sebastian Bach met Christian Ludwig, Margrave of Brandenburg in 1719 during his tenure as music director at the court of Leopold of Anhalt-Cöthen, who was the young prince responsible for signing up some of the musicians who were previously employed by Frederick William I. Bach worked at Anhalt-Cöthen from 1717 to 1723, and he and Leopold developed an excellent working relationship there. I suppose that’s in itself an acknowledgement of the unique attributes of this music, and of the innumerable technical and musical challenges that it presents. 4 in G major. 1 shows just how exciting the entire orchestra can be at full throttle. Rinaldo Alessandrini (director)Concerto Italiano (2005)Naïve OP30412. Jordi Savall (director)Le Concert des Nations (1991). Of the many Brandenburgs embedded in box sets of Bach’s orchestral works, Café Zimmermann’s are the most revealing and rewarding. Adagio ma non tanto. The Brandenburg Concertos are one of the greatest musical CVs ever assembled. Jordi Savall usually ensures thrilling rhythmic vitality and elegantly-inflected ensemble playing, but these Brandenburgs from 1991 never quite catch fire. I chose Brandenburg 1 because I play horn. Andrew Clements. You can adjust your cookie choices in those tools at any time. It remains the only set to present the concertos in their early versions, before Bach revised them for the Margrave in 1721. There are recordings of the Brandenburgs to suit every mood and taste, but while many conductors strive for a certain consistency of approach within their sets, Rinaldo Alessandrini sees each concerto as a new challenge requiring individually tailored solutions. 5 Alessandrini, as soloist, is careful to balance his harpsichord with the gentler solo flute and violin. Brandenburg cycles are popular for good reasons: Each concerto is different from the others in instrumentation and the inspiration level is astonishingly high, even for Bach. Concerto Copenhagen, Lars Ulrik Mortensen 94:26 (2 SACDs in a single jewel case) cpo 555 158-2. Allegro ) 2 arrival of two new sets of Brandenburgs at virtually the time. Subtle and brilliant at the same time is an exciting moment are so popular, as present! 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